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> I have absolutely no use for the products made by teenage engineering, as I don't have a clue about audio production. But scolling thought their store, I still want to own these beatiful devices.

Because you are the target, people who like nice looking hip things and can afford it. That device doesn't do much, doesn't sound particularly good, and certainly is sold to you at a premium. No wonder these products are sold at the MOMA...



I beg to differ. I mean sure, the OP-1 isn't as versatile as a laptop with a good daw and a few plugins but hardware still has its' place in some producers' gear bag. For a standalone device it's extremely versatile and it does sound good.


> I beg to differ. I mean sure, the OP-1 isn't as versatile as a laptop with a good daw and a few plugins but hardware still has its' place in some producers' gear bag. For a standalone device it's extremely versatile and it does sound good.

First, we're not talking about hardware in general but that TE device precisely and second "it sounds good" is really a matter of taste here, the synth engine is very limited and the first version didn't sound really good given its price. This is absolutely a hipster device, just like all TE products.

https://teenage.engineering/products/ob-4 650€ for a freaking radio?

Don't make it about hardware vs software, this red herring has nothing to do with my comment.


I've seen the op-1 I'm the stage kits of a bunch of my favorite artists. Nine inch nails, Zola Jesus, Dan Deacon come to mind...


What was your experience when you tried out the OP-1?




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